Metaphors are charming, scenic shortcuts to multiple layers of meaning. But they’ve got a dark side that scares people or perhaps doesn’t scare them enough—depending on how you look at it.
Leave no stone unturned.
Once fresh, but now clichéd metaphors are best avoided in creative writing. (Dead metaphors in the sense of those whose meaning has shifted are something else and can, with care, be put to good use.)
We’ll burn that bridge when we come to it.
Malaphors blend two phrases or idioms. They’re humorous, but hardly appropriate in an original piece. (The label itself is a portmanteau, or a blend, of metaphor and malapropism.)
Her learning capacity towers over yours; I bet you she can bridge any knowledge gap in under a month.
Mixed metaphors are more general malaphors, but without the humour. They combine different metaphors in incompatible ways: how can a capacity tower, or then be used to bridge? Sure, we get the message, but the clash draws attention to itself.
Clichéd metaphors can be avoided by not writing down what first comes to mind and malaphors are more often spoken mistakes than deliberate constructions. Which leaves mixed metaphors. They may not be as obviously jarring as my example. In fact, the more complex or original or dense your metaphors, the more difficult it is to judge whether what you’ve written coheres.
Getting the opinions of a few friends helps.
Studying examples packed with metaphors also helps. So let’s do that. Continue reading “Siren, Man, Mandrake Stem”