A 1000-piece puzzle is not a project for Frankenstein. The pieces were cut from a unified starting picture; the problem was deliberately made and has a predictable, well-fitting solution. No, a worthy project requires the invention or the discovery of something previously inconceivable.
Like stitching together pieces of flesh and reanimating them (science).
Like connecting pieces of metal and animating them (engineering).
Like layering paint or notes or movements and binding them (art).
Like assembling concepts and words and creating a coherent story world, character, or creature (writing).
I mean it in all in a positive way.
Credibility and resonance is achieved by using what’s around us:
- Story worlds recycle and recombine common tropes in new ways. (Few go ahead and do the Tolkienesque thing of inventing new languages as well.)
- Interesting characters are made up of different already-observed personality traits: take a bit from Aunt Veronica, a bit from Ruth the next door neighbour, a bit from Mum, together with a generous dollop of yourself, then mix with convenient imaginary glue till the gallimaufry congeals into an appetising dessert.
- New creatures are often forged through similar borrowings; though, unlike with shape-shifters and cross-breeds where the number of sourced parts or shifts is limited, the creatures I call beautiful frankensteins come from so many sources their existence is as unexpected as it is baffling.