To Quote: Quirks and Perks

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Quote: During the student revolts that shook the world in the late 1960s, one of the slogans shouted at the lecturers at the University of Heidelberg was Here wird nicht zitiert!, “No quoting here!” The students were demanding original thought; they were forgetting that to quote is to continue a conversation from the past in order to give context to the present. To quote is to make use of the Library of Babel; to quote is to reflect on what has been said before, and unless we do that, we speak in a vacuum where no human voice can make a sound.

— Alberto Manguel, The Library at Night

The Quote illustrates part of the reason I chose to blog about quotes. As Alberto Manguel says, to quote is to continue a conversation from the past in order to give context to the present.

Context determines meaning; without it we are doomed.

She stomped down hard and everyone applauded means one thing if she stomped as part of a flamenco dance, another if she stomped on a snail, yet another if she stomped on the fingers of her opponent in a fight to the death.

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The Ideal Reader: Quirks and Perks

The ideal reader wishes both to get to the end of the book and to know that the book will never end.
Alberto Manguel, A Reader on Reading

In the chapter titled Notes Towards the Definition of an Ideal Reader, Manguel lists around seventy, sometimes contradictory (or paradoxical?), statements about the ideal reader. He’s onto something.

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The Written Word: Quirks and Perks

From Volume 8 of Prose and Verse ... by William James Linton.

Read and Write

On metaphors, quotations, and the continuity of literature, while the world and the times change. From one of the best books about books, A Reader on Reading, by Alberto Manguel.

Metaphor builds on metaphor and quotation on quotation. For some, the words of others are a vocabulary of quotations in which they express their own thoughts. For others those foreign words are their own thoughts, and the very act of putting them on paper transforms those words imagined by others into something new, reimagined through a different intonation or context. Without this continuity, this purloining, this translation, there is no literature. And through these dealings, literature remains immutable, like the tired waves, while the world around it changes.

Alberto Manguel, in AIDS and the Poet, from A Reader on Reading

There. Something for the weekend.